S A R G E N T   H O U S E    

Interview via Echoes & Dust

From soundwaves to landscapes, the sonic experience conjured up by Earth is both a meditative and an immersive one. From having laid the root foundations of rock’s infamous exercise in extreme minimalism with the classic Earth 2: Special Low-Frequency Version, the Seattle-born earth-shakers have braced through the decades carrying a legacy of slow, heavy riffs and long, introspective song-structures with a strong emphasis on repetition. The band has kept their pace slow and steady whilst branching out into a multitude of directions, ranging from stoner rock on Pentastar: In the Style of Demons to the esoteric desert-rock musings on Primitive and Deadly. For the band’s first record in over five years, leading member Dylan Carlson has decided to strip things down for a back-to-basics, raw approach, working as a duo alongside drummer Adrienne Davies to harken back to Earth’s core sound. We caught up with Dylan ahead of his solo performance at Paris’ Sonic Protest Festival to ask about his upcoming record, as well as learn more about his approach to sound and music playing.

Premiere via Stereogum

Olympia, Washington’s Dylan Carlson has kept his legendary, long-running drone-metal project Earth going since 1989. In those years, he’s collaborated with Kurt Cobain, branched out into different musical ideas, and pioneered the whole idea of instrumental metal as full-immersion ambient music. Carlson has been busy lately, but it’s been five years since Primitive And Deadly, the last proper Earth album. Next month, they’ll be back at full force with a new studio LP called Full Upon Her Burning Lips. We’ve already heard the early track “Cats On The Briar,” and now they’ve shared another one called “The Colour Of Poison.”

“The Colour Of Poison” is exactly the type of track you think of when you think of Earth — a vast, heavy, elementally satisfying slow-trudge riff-monster. Part of the appeal with Earth is that you never know when they’re going to launch into free-jazz freakouts or Ennio Morricone soundscapes. But there’s still something satisfying about them doing basic stick-to-your-ribs doom metal with this kind of majestic mastery.

Via mxdwn

The Red Bull Music Festival is in full swing here in Los Angeles, with exciting upcoming shows from Robyn and the music from Red Dead Redemption on the way. Earlier this week, one of the highlights of the music festival came as a part of its concurrent film celebration Center Channel, hosted at East Hollywood’s Ukranian Culture Center, which is known for hosting a Pyanska Festival to punk rock shows. This performance was particularly special, as it saw drone metal legends Earth provide their take on a live score for the 1920s-era Danish silent film Häxan.

Legendary drone pioneers, Earth, will be touring the US in support of their upcoming album Full Upon Her Burning Lips, with special guest Helms Alee. PREORDER your tickets now at thronesandominions.com
(password: burninglips)

Feature via Consequence of Sound

Thirty years after launching their career, drone metal veterans Earth are back with a new song “Cats on the Briar”, premiering right here at Heavy Consequence. Moreover, the band has announced details of its new album along with dates for a US tour.

Featuring the core duo of guitarist-bassist Dylan Carlson and drummer Adrienne Davies, Earth will release the album, Full Upon Her Burning Lips, on May 24th. It marks the band’s first full-length release since 2014’s Primitive and Deadly.

As with the majority of the Olympia, Washington band’s music, “Cats on the Briar” is an instrumental tune, serving as the third track on the upcoming LP.

“‘Cats on the Briar’ is simultaneously uplifting and ominous, with a sense of perilous beauty,” Carlson tells us of the song. “It contains some of my favorite melodic embellishments, and I’m proud of the succinct solo at the end (all of which were developed during the recording, ‘off the cuff,’ so to speak).”

He adds, “It was the first song written for the new album. Inspired by a vision of my wife, Holly, dancing through a desert landscape, filled with dangerous flora and fauna. It was first performed in 2016 at Hellfest, in France. I feel this album is the strongest statement of what Earth is and does since I re-started the band in 2002, and this song is a great representation of that fact.”

Earth will support Full Upon Her Burning Lips with a US tour that kicks off in Seattle on May 24th, the same day the album is released. The trek, featuring opening act Helms Alee, runs through June 29th in Boise, Idaho. See the full list of dates below, and pre-order the new album at this location.

Full article via CVLT NATION

Coming towards the end of a very long and storied career, Earth’s Angels of Darkness, Demons of Light 1 was a move away from the rich, syrupy layers of Bees Made Honey. Eight years old this month, Angels 1 shifted their sound into something a little less layered and more guitar-driven.

Thin, sad, and minimalist, Dylan Carlson’s guitar snakes through long, ponderous riffs whilst Lori Goldston’s cello answers, wailing underneath. The resultant record is slower, calmer and older; it’s no mistake that a few of the titles reference age. This Earth, much like the dying one on which we live, is reflective, gloomy, and dour.

Earth will play a live film score to Swedish occult classic ‘Haxan’ (1922) on February 18th at the Ukrainian Cultural Center in Los Angeles.
Tickets/info: https://www.redbull.com/int-en/music/events/earth-live-score
Event page: https://www.facebook.com/events/584399455304665/

Photo: Jody Poorwill

Dylan Carlson has announced his return to EU/UK with solo tour dates in 2019. Tickets at sargenthouse.com/dylan-carlson

See Dylan Carlson’s full set from his solo show at Brooklyn Steel via Max Volume Silence Live.

Earth have announced Daniel Higgs to play support for upcoming show dates in Portland / San Francisco this October before Desert Daze. All info at thronesanddominions.com

OCT 10 Portland, OR @ Wonder Ballroom * 
OCT 12 San Francisco…

by Alexander Tucker via Drowned in Sound

The first time I encountered Dylan Carlson’s Earth was through a Sub Pop cassette on Lime Lizard, a short-lived early nineties magazine. The free cover mount tape, a Sub Pop sampler, came with the May 1993 issue - side A included relatively standard US grunge of the time, from bands like the noisy guitar pop of Velocity Girl, Pond, Walkabout, Fastbacks and deranged punk rock band Dwarves. Side 2, however, was entirely taken up with one long track - ‘Seven Angels’ by Olympia, Washington’s Earth from their (just released) album Earth 2. A seething maelstrom of detuned metal-tinged guitars sent a thousand beads of buzzing sound flooding into my teenage skull, a strange familiarity combined with alien fear both drew me in and half repelled me.

Feature by Kate Koenig via Premier Guitar

After nearly 30 years as the only constant member of drone-doom-metal cult heroes Earth, guitarist Dylan Carlson has released his first album, Conquistador. As the title suggests, the work espouses a fantasy world that’s rooted in history, not unlike the one explored on Earth’s 2005 Hex; Or Printing in the Infernal Method—a belated imaginary soundtrack to novelist Cormac McCarthy’s Blood Meridian. Carlson has also done soundtrack work, under his solo moniker drcarlsonalbion, for the film Gold. But this time, the music speaks exclusively to his personal vision.