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King Woman / Miserable’s Kristina Esfandiari Interview // Bandcamp Daily

Interview via Bandcamp Daily

Kristina Esfandiari, the powerful vocalist of the sludge-metal group King Woman and mastermind of floating shoegaze act Miserable, was flying home from Oakland when chills began running and up down her body for several definitive minutes. “I just started writing out lyrics and I heard all [these] arrangements in my head,” Esfandiari says. “It was some sort of spiritual connection. Something happened to me that I was not expecting.” 

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King Woman & Russian Circles 2018 Tour Photos // CVLT Nation

All photos & text by Bobby Cochran via CVLT Nation

Avant-doom masters King Woman and instrumental power trio Russian Circles have joined forces on a country-wide US tour, selling out venues left and right. It’s no wonder, because both of these bands make music heads and tails above what most other genre-crossing heavy bands are putting out these days.

King Woman have recently signed on with Sargent House management, the long time home of Russian Circles and a ton of other amazing bands, and this tour seems to be a coming out party for them, putting them in front of bigger audiences and opening new ears to their deeply emotional and moving musical expression.

Kristina Esfandiari’s of King Woman Interview // San Francisco Chronicle

Kristina Esfandiari has lived many lives in her 30 years. For starters, she survived a “spiritually overwhelming” upbringing in a cultlike community near Sacramento. “(There was) manipulation through words and music, all done in the name of God,” says Esfandiari, who moved to the Bay Area when she was 22. 

Changing locale helped, as it was in San Francisco where she served as a vocalist for the shoegaze act Whirr before launching her own music career, which currently encompasses three musical projects. There’s the gloom pop of her solo effort Miserable, the rap and R&B roots of her Nghtcrwlr moniker, and her main gig: fronting the doom rock band King Woman. 

 

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King Woman – Kristina Esfandiari Feature // San Diego CityBeat

Photo by Rob Williamson

Full feature on San Diego CityBeat

Kristina Esfandiari has been making music for more than a decade, but she’s still in the process of learning some things the hard way. The frontwoman for San Francisco-based doom-gaze outfit King Woman hasn’t stopped moving for much of the past few years, in large part because the band has been on tour in support of their 2017 debut album, Created in the Image of Suffering. It’s the band’s first release for heavy music super-label Relapse, which earned them critical praise as well as prominent appearances at festivals such as Hopscotch and Desert Daze. From the outside, it probably seemed like everything a band could ask for.

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CVLT NATION CAPTURES: CEREMONY AT THE HOME SICK 2018 FIRE RELIEF SHOW

Things took a turn for the darker when Bay Area doomgaze masters King Woman turned down the lights and turned up the amps while singer Kristina Esfandiari cleared a circle on the floor and took center position.  Unveiling two new songs that immediately signaled a significant progression while retaining the emotion and depth KW are known for, this band made it known they are a force to be reckoned with.  Nowhere to go but up for this crew

Full article via CVLT NATION. 

 

5 Artists You Need To Know: King Woman // Revolver


King Woman singer Kristina Esfandiari doesn't consider her band's output to be metal, but whatever you want to call it, it's undeniably heavy — drone-y and doomy and touching on deep topics from religion to the psychedelic experience. "I…

Metal Singer Kristina Esfandiari on Using Dark Sounds to Heal // Rolling Stone

On a balmy August night, the musician Kristina Esfandiari rattled the pews of a Brooklyn church with thunderous riffs and her distinctive vocals – which moved from a whimper to a wail. For this gig, the bicoastal musician wasn't performing with her acclaimed Bay Area hard-rock band King Woman, who released the doom-laced and drone-laden Created in the Image of Suffering earlier this year. Esfandiari performed cuts new and old from her solo project, Miserable, which, though she describes it as "songs to drink NyQuil to," had a galvanizing effect on her congregation. 

Full article via Rolling Stone.