EARTH 

Dylan R. Carlson - guitar
Bill Herzog - bass
Adrienne Davies - drums

Don McGreevy - Touring Bass (Not Pictured) 

 

CURRENT RELEASE

E A R T H 
 

Worldwide Management - Sargent House
Manager: Cathy Pellow
Assistant: Brittany Baker

Record Label - Sargent House 
Contact: Marc Jetton 

UK/EU Publicist - Lauren Barley 

N. American BookingGround Control Touring
Agent: Merrick Jarmulowicz


European Booking - Odyssey Booking
Agent: Vincent Royers
Assistant: Bram


THRONESANDDOMINIONS.COM

EARTH ON TOUR

EARTH NEWS

The Fangasm: Pentastar: In The Style Of Demons by Earth // Drowned in Sound 

by Alexander Tucker via Drowned in Sound

The first time I encountered Dylan Carlson’s Earth was through a Sub Pop cassette on Lime Lizard, a short-lived early nineties magazine. The free cover mount tape, a Sub Pop sampler, came with the May 1993 issue - side A included relatively standard US grunge of the time, from bands like the noisy guitar pop of Velocity Girl, Pond, Walkabout, Fastbacks and deranged punk rock band Dwarves. Side 2, however, was entirely taken up with one long track - ‘Seven Angels’ by Olympia, Washington’s Earth from their (just released) album Earth 2. A seething maelstrom of detuned metal-tinged guitars sent a thousand beads of buzzing sound flooding into my teenage skull, a strange familiarity combined with alien fear both drew me in and half repelled me.

Read more

Dylan Carlson’s Theme for an Imaginary Western // Interview on Premier Guitar 

imageimageimage

 

Feature by Kate Koenig via Premier Guitar

After nearly 30 years as the only constant member of drone-doom-metal cult heroes Earth, guitarist Dylan Carlson has released his first album, Conquistador. As the title suggests, the work espouses a fantasy world that’s rooted in history, not unlike the one explored on Earth’s 2005 Hex; Or Printing in the Infernal Method—a belated imaginary soundtrack to novelist Cormac McCarthy’s Blood Meridian. Carlson has also done soundtrack work, under his solo moniker drcarlsonalbion, for the film Gold. But this time, the music speaks exclusively to his personal vision.

Read more

BIO

EARTH
Earth was formed in Olympia, Wa. In 1989 by Dylan Carlson, with an ever evolving line up including Slim Moon (Kill Rock Stars founder), Joe Preston (Melvins) and many others. After moving to Seattle and signing to Sub Pop in 1990 they would release 3 full lengths and an EP including “Earth 2”. Considered by many a definitive statement of the drone triumphant, others have described it as “the inevitable result of the damage done by downers to perception of time”. Whichever the case, its influence is undeniable. If it wasnt for this album, bands like Sunn 0))) simply would not exist. 


2014
Earth’s career, like its music, has always been a slow, deliberate progression. Each record slightly removed from the last, a constant refinement of a singular vision. Dylan Carlson has remained focused throughout on coaxing moments of strange beauty and reflection from “the riff”. That one monument of pure rock refracted, in their earliest recordings, through the prism of sheer volume & feedbacking drone or via a sparse unraveling take on folk in the twin Angels of Darkness, Demons of Light set from 2011 & 2012.

With Primitive and Deadly, Earth’s tenth studio collection, Carlson & long term foil, drummer Adrienne Davies, manage to pull off the trick of completing an Ouroborean creative cycle, 25 years in the making, whilst exploring new directions in Earth’s music. For the first time in their diverse second act, they allow themselves to be a ROCK band, freed of adornment and embellishment.

As much as Carlson’s guitar has always been the focal point of Earth’s music, it’s been surrounded by consistently diverse instrumentation. Here the dialog between Carlson and Davies drumming remains pivotal, underpinned by the sympathetic bass of Bill Herzog (Sunn 0))), Joel RL Phelps, Jesse Sykes and the Sweet Hereafter) and thickened by additional layers of guitar from Brett Netson (Built To Spill, Caustic Resin) & Jodie Cox (Narrows).

Perhaps the largest left turn on Primitive and Deadly, though, is the dominance of guest vocalists Mark Lanegan and Rabia Shaheen Qazi (Rose Windows) who transform the traditionally free ranging meditations of Earth into something approaching traditional pop structures.

On Rooks Across the Gates, a song stylistically the closest to the folk inspired modality of Angels of Darkness, Carlson stretches out into some of his most lyrical playing to date, creating an almost symbiotic relationship between his performance and the vocals of old friend Mark Lanegan. From the Zodiacal Light, meanwhile, takes the late 60’s San Franciscan / freaked out jazz-rock transcendence of Bees Made Honey in the Lions Skull and quickly re-appropriates that sound into a musky torch song for the witching hour. Think Jefferson Airplane on a heavy dose of Quaaludes and Aleister Crowley.

This contradictive tension between a band pushing themselves ever forward whilst surveying their history is reflected in the twin recording locales of Rancho de La Luna in the mystic desert high lands of Joshua Tree, California where the band laid down hour after hour of meditations on each tracks central theme before returning to Seattle to edit, arrange, and expand upon these takes at Avast, aided by the return of long term collaborator Randall Dunn (who was at the helm for the Hex, Bees Made Honey in the Lions Skull and Hibernaculum sessions).

Thick, dense and overdriven, melodically rich & enveloping, Primitive and Deadly is Earth reaffirming their position as a singular point in the history of rock.