EARTH 

Dylan R. Carlson - guitar
Bill Herzog - bass
Adrienne Davies - drums

Don McGreevy - Touring Bass (Not Pictured) 

 

CURRENT RELEASE

E A R T H 
 

Worldwide Management - Sargent House
Manager: Cathy Pellow
Assistant: Brittany Baker

Record Label - Southern Lord

UK/EU Publicist - Lauren Barley 

N. American BookingGround Control Touring
Agent: Merrick Jarmulowicz


European Booking - Odyssey Booking
Agent: Vincent Royers
Assistant: Bram


THRONESANDDOMINIONS.COM

EARTH ON TOUR

Earth 9562

EARTH NEWS

Dylan Carlson Photos + Interview // RCRD Magazine 

DYLAN CARLSON

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Interview and photos by Dominic Goodman via RCRD Magazine

I understand you moved around a lot growing up. Were you influenced musically by the places you visited or even just in a more general cultural way?

Yeah I mean my Dad worked for the department of defence, so I guess sort of an army brat in a weird way. Not in the military, I guess a child of the military industrial complex. As soon as we were born we left Seattle for Philadelphia and then from Philadelphia to New Mexico, then New Mexico to Germany and then we moved three times within Germany and then back to the States where we lived in Texas and then New Jersey and then back to Washington. My grandmother was Scottish. She came over to the States right after the war. We still had relatives living in Scotland so when we lived over in Germany we used to visit our relatives in Scotland quite a bit. My Dad worked for the military but wasn’t in the military, except for one year, so we didn’t live on bases, we lived out and about. We did go to U.S. schools but apart from that my parents definitely took advantage of the fact that we lived overseas and travelled a lot. Unlike, I remember there was a Sergeant that worked for my dad and he was proud of the fact that in his five years of being stationed overseas he had never left the base, never eaten outside the NCO club, didn’t know any German, you know, complete isolationist just waiting to get shipped back home basically. It was really strange, that kind of mentality of being somewhere that had so much to offer and just basically ignoring it.

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Interview with Dylan Carlson // New Noise Magazine 

INTERVIEW: Dylan Carlson: A Mediation Of The Southwest, Mexico & ‘Conquistador’

Full interview by Lucy Brady via New Noise Magazine

After a sojourn in the U.K. exploring the history and folklore of the British Isles while performing under the moniker drcarlsonalbion—a period that saw collaborations with Steeleye Span’s Maddy Prior and The Hackney Lass, aka Rosie Knight—Dylan Carlson is now back in thoroughly American territory.

The Seattle musician’s latest offering, Conquistador—released April 27 via Sargent House—is a meditation on the legends of Mexico and the American Southwest, tracing the real-life account of Spanish explorer Álvar Núñez Cabeza de Vaca.

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BIO

EARTH
Earth was formed in Olympia, Wa. In 1989 by Dylan Carlson, with an ever evolving line up including Slim Moon (Kill Rock Stars founder), Joe Preston (Melvins) and many others. After moving to Seattle and signing to Sub Pop in 1990 they would release 3 full lengths and an EP including “Earth 2”. Considered by many a definitive statement of the drone triumphant, others have described it as “the inevitable result of the damage done by downers to perception of time”. Whichever the case, its influence is undeniable. If it wasnt for this album, bands like Sunn 0))) simply would not exist. 


2014
Earth’s career, like its music, has always been a slow, deliberate progression. Each record slightly removed from the last, a constant refinement of a singular vision. Dylan Carlson has remained focused throughout on coaxing moments of strange beauty and reflection from “the riff”. That one monument of pure rock refracted, in their earliest recordings, through the prism of sheer volume & feedbacking drone or via a sparse unraveling take on folk in the twin Angels of Darkness, Demons of Light set from 2011 & 2012.

With Primitive and Deadly, Earth’s tenth studio collection, Carlson & long term foil, drummer Adrienne Davies, manage to pull off the trick of completing an Ouroborean creative cycle, 25 years in the making, whilst exploring new directions in Earth’s music. For the first time in their diverse second act, they allow themselves to be a ROCK band, freed of adornment and embellishment.

As much as Carlson’s guitar has always been the focal point of Earth’s music, it’s been surrounded by consistently diverse instrumentation. Here the dialog between Carlson and Davies drumming remains pivotal, underpinned by the sympathetic bass of Bill Herzog (Sunn 0))), Joel RL Phelps, Jesse Sykes and the Sweet Hereafter) and thickened by additional layers of guitar from Brett Netson (Built To Spill, Caustic Resin) & Jodie Cox (Narrows).

Perhaps the largest left turn on Primitive and Deadly, though, is the dominance of guest vocalists Mark Lanegan and Rabia Shaheen Qazi (Rose Windows) who transform the traditionally free ranging meditations of Earth into something approaching traditional pop structures.

On Rooks Across the Gates, a song stylistically the closest to the folk inspired modality of Angels of Darkness, Carlson stretches out into some of his most lyrical playing to date, creating an almost symbiotic relationship between his performance and the vocals of old friend Mark Lanegan. From the Zodiacal Light, meanwhile, takes the late 60’s San Franciscan / freaked out jazz-rock transcendence of Bees Made Honey in the Lions Skull and quickly re-appropriates that sound into a musky torch song for the witching hour. Think Jefferson Airplane on a heavy dose of Quaaludes and Aleister Crowley.

This contradictive tension between a band pushing themselves ever forward whilst surveying their history is reflected in the twin recording locales of Rancho de La Luna in the mystic desert high lands of Joshua Tree, California where the band laid down hour after hour of meditations on each tracks central theme before returning to Seattle to edit, arrange, and expand upon these takes at Avast, aided by the return of long term collaborator Randall Dunn (who was at the helm for the Hex, Bees Made Honey in the Lions Skull and Hibernaculum sessions).

Thick, dense and overdriven, melodically rich & enveloping, Primitive and Deadly is Earth reaffirming their position as a singular point in the history of rock.